I have always loved animals—my adopted parents were not particularly interested, but when I met my biological mother in my mid-30s, I found out where it came from! That innate passion has driven my life. Writers like Jane Goodall were the gatekeepers—showing me the way forward and giving me permission to study and care. We need to learn more about nonhuman animals and the ecosystems that we share to better understand how to redress the damage we have caused. And while facts are important, stories are even more so. Each of these authors manages to weave both together with such great skill.
This book changed my world. Jane’s work exploring the behavior and ecology of chimpanzees was simply inspirational when I first read it as a child. I wanted to do what she did—study animals.
It was only when I returned to it that I realized the significance of her ability to tell stories about the animals she met, introducing their characters as well as the data. Additionally, her work went on to break the barriers of personhood. If we accept human exceptionalism—that we are so special because of what we can do—then we need to remember that there are many other species that can do much of what we can—and many other things we can’t. It is good to embrace some humility.
'One of history's most impressive field studies; an instant animal classic' TIME
Jane Goodall's classic account of primate research provides an impressively detailed and absorbing account of the early years of her field study of, and adventures with, chimpanzees in Tanzania, Africa. It is a landmark for everyone to enjoy.
You don't have to be an animal rights activist to take an interest in how we treat other creatures. All of us, with few exceptions, use animals in some way: for food, research, recreation and companionship. In Britain we eat around a billion chickens every year, while 60% of all mammals on Earth, by biomass, are now livestock. In 2020, approximately 2.88 million scientific procedures involving living animals were carried out in Great Britain.
Because all this happens in our name, as consumers and citizens we have a duty to understand, to care and to exert some influence over how…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
I have guru-phobia, so I had avoided this book because so many people I knew were declaring it one of the best books ever and that Robin Wall Kimmerer was wonderful. Stupid, right?! But then I read it and could understand.
More than reading and listening to it, I met the author at a literary festival and was even more impressed by her gentle wisdom. She writes about the importance of reciprocity—about the rest of life being just as important as we are. Her work merges wonderfully with Jane Goodall’s, and I would recommend reading them in tandem.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
Kate has done something quite amazing with this book—there is a gorgeous surface of nature/garden writing. She is a knowledgeable and brilliantly skilled author, which alone would have made this a wonderful book.
But there is a depth to it—one of absolutely righteous anger at the state of the world—as seen through the microcosm of her beloved garden. The rage never overtakes the story, but a simmering tension reminds us of what needs to be done.
The fact that she has a passionate relationship with hedgehogs, too, is just icing on a delicious cake!
'If you ever doubted that you can help change the world, READ THIS BOOK.' CAROLINE LUCAS
'The greatest existential crisis we face distilled into the crucible of a tiny piece of paradise.' CHRIS PACKHAM
Five years after writing her first nature memoir, The Bumblebee Flies Anyway, Kate Bradbury has a new garden.
It's busy: home to all sorts of wildlife, from red mason bees and bumblebees to house sparrows, hedgehogs and dragonflies. It seems the entire frog population of Brighton and Hove breeds in her small pond each spring, and now there are toads here, too. On summer evenings, Kate…
In this book set against the backdrop of a changing America, Sarah must find the courage to confront the ghosts of her past and come to terms with her future. Sarah, a young woman from the rural town of Tolerance, Arkansas, has endured an impoverished and painful childhood.
I have not read as much fiction as I would like, but this book reminded me how important imagination can be in building ideas. Tokarczuk tells a wonderful story—part mystery, part fairytale—but what really hooked me was the permission she gives for us to consider the animals in the forest as important characters.
There is no anthropomorphism, just an understanding that nonhuman animals matter. I rarely re-read books, but I dive back into this when I have time!
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
LONGLISTED FOR THE WAINWRIGHT PRIZE FOR WRITING ON CONSERVATION
Investigating the ethical and practical challenges of one of the greatest threats to biodiversity: invasive species.
Across the world, invasive species pose a danger to ecosystems. The UN Convention on Biological Diversity ranks them as a major threat to biodiversity on par with habitat loss, climate change and pollution.
Tackling this isn't easy, and no one knows this better than Hugh Warwick, a conservationist who loathes the idea of killing, harming or even eating animals. Yet as an ecologist, he is acutely aware of the need, at times, to kill invasive species whose presence harms the wider environment.
Hugh explores the complex history of species control, revealing the global movement of species and the impacts of their presence. Combining scientific theory with gentle humour in his signature style, he explains the issues conservationists face to control non-native animals and protect native species - including grey and red squirrels on Anglesey, ravens and tortoises in the Mojave Desert, cane toads in Australia and the smooth-billed ani on the Galapagos - and describes cases like Pablo Escobar's cocaine hippos and the Burmese python pet trade.
Taking a balanced and open approach to this emotive subject, Hugh speaks to experts on all sides of the debate. How do we protect endangered native species? Which species do we prioritise? And how do we reckon with the ethics of killing anything in the name of conservation?
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
This delightful fable about the Golden Age of Broadway unfolds the warm story of Artie, a young rehearsal pianist, Joe, a visionary director, and Carrie, his crackerjack Girl Friday, as they shepherd a production of a musical version of A Midsummer Night's Dream towards opening night.
